The Oba of Lagos, Oba Rilwan Akiolu, has called for the ban of an upcoming art exhibition he says disrespects and misrepresents Yoruba culture.

The exhibition, titled “An Owambe Exhibition,” was organized by Uzo Njoku, a Nigerian-American artist of Igbo origin. The event, scheduled to hold in Lagos, has drawn criticism from traditional leaders and cultural groups who accuse the artist of appropriating Yoruba heritage for artistic gain.

Oba Akiolu’s Position

In a letter reportedly sent to the Lagos State Government, Oba Akiolu described the planned event as an “unauthorized and insensitive use of Yoruba cultural identity.”

The monarch said the use of the word “Owambe”—a Yoruba term associated with celebration, style, and traditional gatherings—was inappropriate and misleading in the context of the exhibition.

He warned that such actions could lead to misrepresentation of cultural values and possibly cause public unrest if left unchecked. The Oba also urged the state government to introduce stricter regulations guiding the approval of cultural events in Lagos.

Artist’s Response

In reaction to the controversy, Uzo Njoku stated that her exhibition was not intended to offend or misrepresent any culture.

According to her, the project celebrates the vibrant social life of Lagos, which she described as a city of mixed cultures and shared experiences. She maintained that “Owambe” was used symbolically to express joy and togetherness rather than as an exclusive reference to Yoruba identity.

Supporters of the artist have also defended the exhibition, saying it promotes cross-cultural understanding and should not be seen as an attack on tradition.

Mixed Reactions

The incident has sparked wide debate on social media, with many Nigerians divided over the issue.

Some users backed the Oba’s decision, insisting that Yoruba traditions should not be commercialized or misused by outsiders. Others argued that art should remain a free space for creative expression, especially in a cosmopolitan city like Lagos.

Next Steps

Following the Oba’s intervention, the Lagos State Government is expected to review the matter and determine whether the exhibition will go ahead as planned.

The controversy has also reignited broader discussions about cultural ownership, respect, and artistic freedom in Nigeria’s growing creative industry.